{"id":2161,"date":"2025-08-22T14:05:04","date_gmt":"2025-08-22T21:05:04","guid":{"rendered":"https:\/\/alteritas.net\/alteritas\/?p=2161"},"modified":"2025-08-22T14:05:04","modified_gmt":"2025-08-22T21:05:04","slug":"to-the-reader-from-the-french-of-charles-baudelaire-tristram-fane-saunders","status":"publish","type":"post","link":"https:\/\/alteritas.net\/alteritas\/2025\/08\/22\/to-the-reader-from-the-french-of-charles-baudelaire-tristram-fane-saunders\/","title":{"rendered":"To the Reader (from the French of Charles Baudelaire) – Tristram Fane Saunders"},"content":{"rendered":"

To the Reader (from the French of Charles Baudelaire) – Tristram Fane Saunders – Literary Matters<\/a><\/p>\n

https:\/\/x.com\/bluezharp\/status\/1954550796672008690?s=46&t=JS3op2cvLeWPj9dDLynbJg<\/a><\/p>\n

https:\/\/www.instagram.com\/reel\/DNSMvVGsw3B\/?igsh=NTc4MTIwNjQ2YQ==<\/a><\/p>\n

Miles et Louis Malle\u00a0 <\/span>where I first heard Miles<\/p>\n

My aBlack Orpheus.\u00a0 \u00a0<\/span><\/p>\n

The Al-Ray theater in Houston was the premier venue for a slew of foreign films which I saw at seventeen, parsing out and\u00a0 <\/span>pronouncing their titles in French and Italian:\u00a0<\/i>Les\u00a0400 coups<\/i><\/a>,\u00a0<\/i>\u00c0 bout de souffle<\/i><\/a>,\u00a0<\/i>La dolce vita<\/i><\/a>,\u00a0<\/i>L\u2019avventura<\/i><\/a>,<\/i> Ascenseur pour l\u2019\u00e9chafaud<\/i><\/a>\u00a0(where I probably heard Miles Davis for the first time)<\/i><\/p>\n

https:\/\/alteritas.net\/GXL\/?p=4716<\/a><\/p>\n

Helicopter auf deutsch<\/p>\n

Oh salty sea, how much of your salt Are tears of Portugal! For us to cross you, how many mothers wept, How many sons prayed in vain! How many brides were left to marry So that you could be ours, oh sea!<\/p>\n

Was it worth it? Everything is worth it If the soul is not small. Whoever wants to pass beyond Bojador Must pass beyond pain. God gave the sea danger and the abyss, But it is in it that he mirrored the sky.<\/p>\n

\u00a0<\/span><\/p>\n

Change tabs\u00a0 \u00a0<\/span><\/p>\n

Slursi<\/p>\n

Fahrer flug<\/p>\n

Find the fioles poem. Plus Christening Alexandrine\u00a0 <\/span>Bourdouxhe m<\/p>\n

F\u00f6rsvunna M\u00e4nniskor<\/p>\n

Is she not a boogey-man<\/p>\n

you brandish like a boy,\u00a0<\/span><\/p>\n

this woman you enjoy<\/p>\n

then flee as fast as you can<\/p>\n

https:\/\/alteritas.net\/pastis\/you-silly-m<\/a><\/p>\n

https:\/\/x.com\/sho_journal\/status\/1957411515817971957?s=61&t=u3KfCLKDYzNWBG_B9YfClg<\/a><\/p>\n

Espaillat\u00a0 <\/span>P. Rhina<\/p>\n

The illusion of\u00a0<\/span><\/p>\n

As the senior or at least seniorist of the cohort of cousins to which Marc\u00a0 <\/span>belonged<\/p>\n

Parky Poems<\/p>\n

Historical poems<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

To the Reader (from the French of Charles Baudelaire) – Tristram Fane Saunders – Literary Matters https:\/\/x.com\/bluezharp\/status\/1954550796672008690?s=46&t=JS3op2cvLeWPj9dDLynbJg https:\/\/www.instagram.com\/reel\/DNSMvVGsw3B\/?igsh=NTc4MTIwNjQ2YQ== Miles et Louis Malle\u00a0 where I first heard Miles My aBlack Orpheus.\u00a0 \u00a0 The Al-Ray theater in Houston was the premier venue for a slew of foreign films which I saw at seventeen, parsing out and\u00a0 pronouncing … <\/p>\n

Continue reading “To the Reader (from the French of Charles Baudelaire) – Tristram Fane Saunders”<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[9],"tags":[],"class_list":["post-2161","post","type-post","status-publish","format-standard","hentry","category-post"],"_links":{"self":[{"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/posts\/2161","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/comments?post=2161"}],"version-history":[{"count":1,"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/posts\/2161\/revisions"}],"predecessor-version":[{"id":2162,"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/posts\/2161\/revisions\/2162"}],"wp:attachment":[{"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/media?parent=2161"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/categories?post=2161"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/alteritas.net\/alteritas\/wp-json\/wp\/v2\/tags?post=2161"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}