{"id":3856,"date":"2018-12-23T16:11:12","date_gmt":"2018-12-24T00:11:12","guid":{"rendered":"https:\/\/alteritas.net\/pastis\/?page_id=3856"},"modified":"2020-02-12T21:49:16","modified_gmt":"2020-02-13T05:49:16","slug":"gramsis-ashes","status":"publish","type":"page","link":"https:\/\/alteritas.net\/pastis\/translations\/gramsis-ashes\/","title":{"rendered":"Gramsci&#8217;s Ashes"},"content":{"rendered":"<p>1<\/p>\n<p>How unlike May, this polluted pall of air<br \/>\nmade even murkier in the murk<span class=\"Apple-converted-space\"><br \/>\n<\/span>of a foreign cemetery plot where<\/p>\n<p>dazzling shards of light mark<br \/>\noff the slobbering sky from calcified<br \/>\nyellow fa\u00e7ades set in an immense arc<\/p>\n<p>hiding the blue hills of Lazio, hanging beside<span class=\"Apple-converted-space\"><br \/>\n<\/span>the curves of the Tiber. This elegiac May,<br \/>\nlike us displaced, malcontent, dissatisfied,<\/p>\n<p>casts a deathly, peaceful aura of decay<br \/>\nover crumbling ramparts. In this twilight<br \/>\nappears through the gloom of grey<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/p>\n<p>rubble the spectre of an ingenuous fight<br \/>\nto make human life over, lost decades<br \/>\nof frustration, silence, rotting blight \u2026.<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/p>\n<p>You, young hero, lived when delusion<br \/>\nwas rife, an Italian May, one which imbues<br \/>\nlife with passions, be they grave illusion,<\/p>\n<p>like our robust fathers\u2019 feckless views.<br \/>\nWith a hand already emaciated,<span class=\"Apple-converted-space\"><br \/>\n<\/span>not as father but a brother, you laid out new<\/p>\n<p>ideals which throw light on this impasse, fated<br \/>\nfor you in death as for ourselves, as dead <span class=\"Apple-converted-space\"><br \/>\n<\/span>now as you in this dank antiquated<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/p>\n<p>boneyard. Once again you are in dreaded<br \/>\ndetention, not with virile inmates enclosed<br \/>\nbut with aristocrats, in whom ennui is inbred.<\/p>\n<p>The sole presence beyond theirs is composed<br \/>\nof faint clinks on anvils which drift in<br \/>\nfrom the forges of Testaccio, juxtaposed<\/p>\n<p>with Vespers floating over heaps of tin<br \/>\njunk, delapidated hovels fallen apart,<br \/>\nbeside which an urchin finds within<\/p>\n<p>the words of a ribald song, as the clouds part.<\/p>\n<p>2<\/p>\n<p>In this clash between two worlds: no respite.<br \/>\nWe must choose, commit, but there is no end sense<br \/>\nbeyond this wretched plot where the trite, <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>stubborn and hypocritical pretense<br \/>\nprevails that life goes on after living.<span class=\"Apple-converted-space\"><br \/>\n<\/span>Among the epitaphs there is no suspense.<span class=\"Apple-converted-space\">\u00a0 <\/span><\/p>\n<p>Graven on these tombs are legends giving<br \/>\nbare accounts of the short and brutal fate<span class=\"Apple-converted-space\"><br \/>\n<\/span>dealt out by common lot, which is unforgiving.<\/p>\n<p>Billionaires from every imperial state,<br \/>\nwhose flesh reeks of greed and rapacity,<br \/>\nleave but whiffs of scandal, petty or great.<\/p>\n<p>Princes and pederasts of known voracity<br \/>\nlet just rumors escape from their gilded urns<br \/>\nof the unexpunged capacity <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>for malevolence which unabashedly burns<br \/>\nin their bones. So silence here testifies<br \/>\nto the courteous concerns<\/p>\n<p>of men who remain human, likewise<span class=\"Apple-converted-space\"><br \/>\n<\/span>that this dull tedium fully becomes<span class=\"Apple-converted-space\"><br \/>\n<\/span>this dreary place. The indifferent city tries<span class=\"Apple-converted-space\">\u00a0 <\/span><\/p>\n<p>to confine hush to churches or to slums<br \/>\n\u2014 impious piety which costs it splendor.<br \/>\nBut the soil within this plot, which succumbs<\/p>\n<p>to weeds and nettles, also breeds the slender<br \/>\ncypress, and dark humidity bedecks<br \/>\nthe walls with random shoots of tender<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>box which dusk lightens with the complex<br \/>\nsavour of moss \u2026. ragged inodorous herbs<br \/>\nonto which the purple sky projects<\/p>\n<p>a hint of mint or rotten hay, which curbs<br \/>\nthe melancholy of day and is prelude<br \/>\nto a trepidation which disturbs <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>the evening. The weather may be rude<br \/>\nbut the redolent soil within these grounds<br \/>\nrecalls others of a different latitude.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Its clammy fragrance founds<br \/>\nmemories of distant horizons where<br \/>\nwoodlands crown lakes scattered out of bounds<\/p>\n<p>under the English sky, meadows which are<span class=\"Apple-converted-space\"><br \/>\n<\/span>as green as emeralds or billiard table baize<br \/>\nacross which resounds like a prayer:<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u201c<i>And O ye fountains<\/i>\u201d \u2014 a rhapsodic praise<br \/>\nof invocation\u2026.<\/p>\n<p>3<\/p>\n<p>A red bandana like those insurgents tie<br \/>\nrolled around their throats, plus a different shade<br \/>\nof scarlet on the waxen earth nearby<\/p>\n<p>where symbolic geraniums have been laid &#8230;.<br \/>\nLying among foreign dead, ostracized<br \/>\nby bleak Catholic logic to this morbid glade,<\/p>\n<p>you are reduced to <i>Gramsci\u2019s Ashes<\/i>, despised.<br \/>\nTorn between incipient hope and an old distrust,<br \/>\nI&#8217;ve wended my way to this modest site, surprised<\/p>\n<p>at the presence of your spirit in your dust<br \/>\nhere among us living. (Or maybe is it<br \/>\nsomething else, more like lust,<\/p>\n<p>or even simpler, an enraptured adolescent<span class=\"Apple-converted-space\"><br \/>\n<\/span>symbiosis of death and sex?)<br \/>\nIn this forsaken country, which would not let<\/p>\n<p>you rest, it feels wrong among these effects<br \/>\nof the speechless dead (but also somehow right,<br \/>\nsince upon us all falls the same fated hex)<\/p>\n<p>that more pages would have been left to write<br \/>\nof your magnum opus on the day you died.<br \/>\nThe blue-bloods buried here bear outright<\/p>\n<p>witness to the primeval powers plied<br \/>\nby those who hold the right to own, who possess<br \/>\ncontrol that over sordid centuries has tied<\/p>\n<p>pomp to scandalous shame. Those without excess<br \/>\nwealth bequeath the faintest echoes, like the muted<br \/>\nclinks on anvil ringing here which express<\/p>\n<p>the end of the world in which work was rooted.<br \/>\nAnd here I am, a poor man modestly clad<span class=\"Apple-converted-space\"><br \/>\n<\/span>in clothes paupers ogle in windows reputed<\/p>\n<p>for bargains which now show the patina added<br \/>\nby the filth of lonely streets, the smear<br \/>\nof streetcar benches \u2014 I, nomad<\/p>\n<p>caught between spheres who struggles with the mere<br \/>\ndecision to live or not, a daily torment.<br \/>\nBut I want to embrace life out of sheer<\/p>\n<p>love of it, not with the callow, violent<br \/>\nand voluptuous love of a confused<br \/>\nadolescent, a phase of malcontent<\/p>\n<p>I detested, since in it was fused<br \/>\nbourgeois hatred of the bourgeois I was.<br \/>\nYet since the two of us have both been refused<\/p>\n<p>by and reject power\u2019s ubiquitous laws,<br \/>\nis it more than bitterness misused<br \/>\nto espouse this other righteous cause?<\/p>\n<p>Because I lack your rigour, I have not<br \/>\nmade real choices, rather perform the rite<br \/>\nof postwar decline, besotted with what<\/p>\n<p>I hate, caught in a despicable plight<br \/>\nof divided consciousness&#8230;<\/p>\n<p>4<\/p>\n<p>My shameful contradiction is clear-cut.<br \/>\nAt the same time I am with you and against,<br \/>\nwith you in my heart, against you in my gut.<\/p>\n<p>Traitor in my thoughts to my father\u2019s pretense<br \/>\nof social rank, at best a sham of action,<br \/>\nI ape his bourgeois state in heated defence<\/p>\n<p>of instinct and of esthetic passion.<br \/>\nEven before I read you I was drawn<br \/>\nto the working class, its joys the attraction,<\/p>\n<p>not its struggle or the millennial dawn<span class=\"Apple-converted-space\"><br \/>\n<\/span>it promised, not its consciousness of class<br \/>\nbut the natural primal force of human<\/p>\n<p>undertakings, which is lost in mass<br \/>\nmovements but casts a poetic glow<span class=\"Apple-converted-space\"><br \/>\n<\/span>of nostalgia on disasters come to pass.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>More than that I cannot say, since I know<br \/>\nmy attachment is abstract, like insincere<br \/>\nwords of love when feeling doesn\u2019t flow.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Like the poor, the hope in which I persevere<br \/>\ndemeans me; it becomes an obsession.<br \/>\nAs they do I struggle every day for sheer<\/p>\n<p>survival. Yet in my state of dispossession,<br \/>\nhowever bleak, I am the one possessed,<br \/>\nbewitched by the most exalting illusion<\/p>\n<p>of bourgeois mastery, the most blessed<br \/>\nand absolute: I own history. But it owns me,<br \/>\nenlightens me. What use are insights wrest<\/p>\n<p>from this perception?<\/p>\n<p>5<\/p>\n<p>I don\u2019t mean the individual me, composed<span class=\"Apple-converted-space\"><br \/>\n<\/span>of given sensual and emotional parts \u2026<br \/>\nI have many vices, my fate disclosed<\/p>\n<p>by provocative names which parse<br \/>\nmy original sin, blended with everyday<br \/>\ninborn foibles &#8212; iniquity of all sorts.<\/p>\n<p>The private and public acts to which I\u2019m prey<br \/>\nincarnate my time on earth<br \/>\nand are not immune to the dismay<\/p>\n<p>of true believers, who, beholden since birth<br \/>\nto death, embrace religion to shunt away<br \/>\nlight, shedding light on light\u2019s own dearth.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>My own remains are destined for burial<br \/>\nat Verano. Catholic too is my struggle,<br \/>\nas manical and adversarial<\/p>\n<p>as any Jesuit\u2019s, while within I juggle<br \/>\nboth Talmudic ruse and a histrionic<br \/>\nprogressive zeal. Into this muddle<\/p>\n<p>is also mixed the pretentious chronic<br \/>\ntastes of a dandy born back of beyond<br \/>\ninto ruddy rustic health. The demonic<\/p>\n<p>minutiae in my depths where clash and bond<br \/>\nAuthority and Anarchy protect me<br \/>\nfrom inebriate sin, virtue foregone.<\/p>\n<p>So the ego lives, conscientiously<br \/>\npreserving its own naivet\u00e9. So live I,<br \/>\neluding the gist of life, obsessively<\/p>\n<p>feeling within I cannot deny<br \/>\nlife comes down to nasty, brutish oblivion.<br \/>\nAt last I grasp (wordless in the wet wind\u2019s sigh <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>near you here in Rome, herself hushed, among<span class=\"Apple-converted-space\"><br \/>\n<\/span>a stand of weary, disconcerted cypress)<span class=\"Apple-converted-space\"><br \/>\n<\/span>the soul of the man whose own inscription<\/p>\n<p>reads <i>Shelley. <\/i>Now<i> <\/i>I understand the release<i><span class=\"Apple-converted-space\"><br \/>\n<\/span><\/i>of passions so Greek in a patrician<br \/>\npilgrim from the North whose caprice<\/p>\n<p>engulfed him in blind, acqueous perdition,<br \/>\nthe carnal and aesthetic glee<br \/>\nof his daredevil, juvenile mission.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Prostrate Italy, as if in the belly<br \/>\nof a huge cicada, splays limbs of gleaming<br \/>\nsand out along that same sea,<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>bestrewn in Lazio with thickets teeming<br \/>\nwith baroque pine, glades of green-golden<br \/>\narugula. In one of them naps, dreaming <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>a Goethean dream, his member swollen<span class=\"Apple-converted-space\"><br \/>\n<\/span>beneath his rags, a local swain .\u2026<span class=\"Apple-converted-space\"><br \/>\n<\/span>And on the Maremma coast open<\/p>\n<p>conduits of dark arrowhead are stained<br \/>\nbright by stands of hazel alongside bovine<br \/>\npaths a herdsman fills with the Augean<\/p>\n<p>smells of his youth, heedless of them. The shoreline<br \/>\nat Versillia curves before perfumed blind<span class=\"Apple-converted-space\"><br \/>\n<\/span>tangles of the sea. Inlaid tile roofs shine<\/p>\n<p>over stucco \u2014 a landscape for humankind<span class=\"Apple-converted-space\"><br \/>\n<\/span>ressurrected which then disentangles,<br \/>\nexposing in somber Cinquale, confined<\/p>\n<p>by the torrid Apuan Alps, pink spangles<br \/>\nagainst the vitreous blue of tumbled rock slides<br \/>\ncollapsed in panicked shambles<\/p>\n<p>of soft, steep fragrance down to the waterside,<br \/>\nwhere the sun wrestles with the breeze<br \/>\nto extract supreme sweetness from the tides.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>\u2026 Everywhere hums with percussive ease<br \/>\nthe unbounded instruments of sex<br \/>\nand light. Italy, so used to these,<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>doesn\u2019t deign to tremble, instead projects<br \/>\na living image of its own demise.<br \/>\nYet in hundreds of ports youths on decks,<\/p>\n<p>their swarthy faces wet with sweat, rise<span class=\"Apple-converted-space\"><br \/>\n<\/span>and shout out the names of friends on land<br \/>\nnear gardens of herbs and cardoons<\/p>\n<p>or on beaches with fouled sand \u2026<\/p>\n<p>Would you ask me, here where you are walled,<br \/>\nto abandon my desperate passion<br \/>\nfor being alive in this world?<\/p>\n<p>6<\/p>\n<p>I\u2019m going now. I leave you to the evening<br \/>\nwhich, though gloomy, falls almost sweetly<br \/>\nfor us the living, its pallid light blending<\/p>\n<p>with shadows in the neighborhood, completely<br \/>\nmixing with them, filling up the void around.<span class=\"Apple-converted-space\"><br \/>\n<\/span>Meanwhile, in the background, discreetly,<\/p>\n<p>lust for life reignites in the raucous sound<br \/>\nof trams rumbling on their rails and human cries<br \/>\nin dialect \u2014 music muffled yet profound.<\/p>\n<p>You feel in these alien\u00a0human allies,<br \/>\nas they shout out and laugh, that they are alive<br \/>\nin their cubicles, in their wretched highrise<\/p>\n<p>tenements where the sinister drive<br \/>\nand gift of life is like a match consumed,<br \/>\ntheir existence but a shudder, a shiver,<\/p>\n<p>a mortal, communal moment they are doomed<br \/>\nto pursue without higher aim<span class=\"Apple-converted-space\"><br \/>\n<\/span>beyond subsistence, presumed<\/p>\n<p>the point of life itself. They show the same<br \/>\nbehavior as a species whose obsession<br \/>\nremains, by whatever name, <span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>the daily grind of work, corruption<br \/>\nhumbly lending to their humble zeal<br \/>\na touch of festivity. Useless digression,<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/p>\n<p>to speak of ideals in this historically real<br \/>\nemptiness, this roar which has fallen still.<br \/>\nBetter to admire the stupendous sun-seared<\/p>\n<p>almost Alexandrian thrill <span class=\"Apple-converted-space\"><br \/>\n<\/span>of sensuality that shrinks and burns<span class=\"Apple-converted-space\"><br \/>\n<\/span><span style=\"font-size: 1rem;\">everything away impurely, until<\/span><\/p>\n<p>this world implodes, returns<br \/>\nto murk, dragging us back to deserted<br \/>\npublic piazzas, to desolate workshop norms \u2026.<\/p>\n<p>Across bare Testaccio assorted<br \/>\nlights already sparkle in the throughfares,<br \/>\nfrom the mountain converted<\/p>\n<p>from shards, over public squares, <span class=\"Apple-converted-space\"><br \/>\n<\/span>across the bends of the Tiber to the vast<br \/>\nblack backdrop hanging in Monteverde air.<span class=\"Apple-converted-space\"><br \/>\n<\/span><\/p>\n<p>Then this dazzling diadem shatters. One last<br \/>\nburst is followed by a sadness almost<br \/>\nmaritime. Nearly time for a repast \u2026.<\/p>\n<p>Increasingly rare buses host<br \/>\nbunches of workers swinging from their doors.<span class=\"Apple-converted-space\"><br \/>\n<\/span>Unhurried soldiers on leave from their posts<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>amble up the slopes past scores<br \/>\nof heaps of mud and dry piles of rubbish.<br \/>\nIn the shadows hide irate little whores<\/p>\n<p>waiting among the aphrodisiac trash.<span class=\"Apple-converted-space\"><br \/>\n<\/span>Not much further among the shanty slums<br \/>\nclinging to the hillside or in a gash<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>between more sturdy buildings urchins frail<br \/>\nas rags play in a spring breeze no longer chill.<br \/>\nBurning with brash juvenile<\/p>\n<p>insolence, bumptious adolescents fill<br \/>\nthe festive Roman evening with whistles<br \/>\nas they stride down the sidewalk, full<\/p>\n<p>of themselves. Once darkness signals<br \/>\nthat serene night has finally come, rolling<br \/>\nmetal shutters crash down closed with joy.<\/p>\n<p>Then in Piazza Testaccio the sycamores<br \/>\nrustle in a wind as mild as after a squall,<br \/>\ngently sweeping over the basaltic tuff<\/p>\n<p>of the Slaughterhouse, steeped in gore<br \/>\nand blood. Every gust wafts waste,<br \/>\nthe odor of misery and despair.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Life is movement and commotion.<span class=\"Apple-converted-space\"><br \/>\n<\/span><i>They<\/i> are lost in it but lose it with peace<span class=\"Apple-converted-space\"><br \/>\n<\/span><span style=\"font-size: 1rem;\">of mind, since their hearts are full of its emotion.<\/span><\/p>\n<p>There they are, defenceless people, miserable<span class=\"Apple-converted-space\"><br \/>\n<\/span>in their enjoyment of the evening. For them<br \/>\nare myths born anew. But for<span class=\"Apple-converted-space\">\u00a0<\/span>me, conscious<\/p>\n<p>life takes place in history, how can I pretend<span class=\"Apple-converted-space\"><br \/>\n<\/span>now to act out of genuine passion<br \/>\nif I know our history has come to an end?<\/p>\n<p>&nbsp;<\/p>\n<p><strong>After Pier Paolo Pasolini,<em> Le Ceneri di Gramsci<\/em><\/strong><\/p>\n<p>1<br \/>\n<em> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><br \/>\n<em>Non \u00e8 di maggio questa impura aria<\/em><br \/>\n<em>che il buio giardino straniero<\/em><br \/>\n<em>fa ancora pi\u00f9 buio, o l\u2019abbaglia<\/em><\/p>\n<p><em>con cieche schiarite \u2026 questo cielo<\/em><br \/>\n<em>di bave sopra gli attici giallini<\/em><br \/>\n<em>che in semicerchi immensi fanno velo<\/em><\/p>\n<p><em>alle curve del Tevere, ai turchini<\/em><br \/>\n<em>monti del Lazio\u2026 Spande una mortale<\/em><br \/>\n<em>pace, disamorata come i nostri destini,<\/em><\/p>\n<p><em>tra le vecchie muraglie l\u2019autunnale<\/em><br \/>\n<em>maggio. In esso c\u2019\u00e8 il grigiore del mondo;<\/em><br \/>\n<em>la fine del decennio in cui appare<\/em><\/p>\n<p><em>tra le macerie finito il profondo<\/em><br \/>\n<em>e ingenuo sforzo di rifare la vita;<\/em><br \/>\n<em>il silenzio, fradicio e infecondo\u2026<\/em><\/p>\n<p><em>Tu giovane, in quel maggio in cui l\u2019errore<\/em><br \/>\n<em>era ancora vita, in quel maggio italiano<\/em><br \/>\n<em>che alla vita aggiungeva almeno ardore;<\/em><\/p>\n<p><em>Tu Gramsci, meno sventato e pi\u00f9 sano<\/em><br \/>\n<em>dei nostri padri \u2013 non padre. Ma umile<\/em><br \/>\n<em>fratello \u2013 gi\u00e0 con la tua magra mano<\/em><\/p>\n<p><em>delineavi l\u2019ideale che illumina<\/em><br \/>\n<em>(ma non per noi: tu, morto, e noi<\/em><br \/>\n<em>morti ugualmente, con te, nell\u2019umido<\/em><\/p>\n<p><em>giardino) questo silenzio. Non puoi,<\/em><br \/>\n<em>lo vedi?, che riposare in questo sito<\/em><br \/>\n<em>estraneo, ancora confinato. Noia<\/em><\/p>\n<p><em>patrizia ti \u00e8 intorno. E, sbiadito,<\/em><br \/>\n<em>solo ti giunge qualche colpo d\u2019incudine<\/em><br \/>\n<em>dalle officine di Testaccio, sopito<\/em><\/p>\n<p><em>nel vespro: tra misere tettoie, nudi<\/em><br \/>\n<em>mucchi di latta, ferrivecchi, dove<\/em><br \/>\n<em>cantando vizioso un garzone gi\u00e0 chiude<\/em><\/p>\n<p><em>la sua giornata, mentre intorno spiove.<\/em><\/p>\n<p><em>2<\/em><\/p>\n<p><em>Tra i due mondi, la tregua, i cui non siamo.<\/em><br \/>\n<em>Scelte, dedizioni\u2026. altro suono non hanno<\/em><br \/>\n<em>ormai che questo del giardino gramo<\/em><\/p>\n<p><em>e nobile, in cui caparbio l\u2019inganno<\/em><br \/>\n<em>che tuttavia la vita resta nella morte.<\/em><br \/>\n<em>Nei cerchi dei sarcofaghi non fanno<\/em><\/p>\n<p><em>che mostrare la superstite sorte<\/em><br \/>\n<em>di gente laica le laiche iscrizioni<\/em><br \/>\n<em>in queste grige pietre, corte<\/em><\/p>\n<p><em>e impotenti. Ancora di passioni<\/em><br \/>\n<em>sfrenate senza scandalo son arse<\/em><br \/>\n<em>le ossa dei miliardari di nazioni<\/em><\/p>\n<p><em>pi\u00f9 grandi; ronzano, quasi mai scomparse,<\/em><br \/>\n<em>le ironie dei principi, dei pederasti,<\/em><br \/>\n<em>i cui corpi sono nell\u2019urne sparse<\/em><\/p>\n<p><em>inceneriti e non ancora casti.<\/em><br \/>\n<em>Qui il silenzio della morte \u00e8 fede<\/em><br \/>\n<em>di un civile silenzio di uomini rimasti<\/em><\/p>\n<p><em>uomini, di un tedio che nel tedio<\/em><br \/>\n<em>del Parco, discreto muta:e la citt\u00e0<\/em><br \/>\n<em>che, indifferente, lo confina in mezzo<\/em><\/p>\n<p><em>a tuguri e a chiese, empia nella piet\u00e0,<\/em><br \/>\n<em>vi perde il suo splendore. La sua terra<\/em><br \/>\n<em>grassa di ortiche e di legumi d\u00e0<\/em><\/p>\n<p><em>questi magri cipressi, questa nera<\/em><br \/>\n<em>umidit\u00e0 che chiazza i\u00a0 muri intorno<\/em><br \/>\n<em>a smorti ghirigori di bosso, che la sera<\/em><\/p>\n<p><em>rasserenando spegne in disadorni<\/em><br \/>\n<em>sentori d\u2019alga\u2026. quest\u2019erbetta stenta<\/em><br \/>\n<em>e inodora, dove violetta si sprofonda<\/em><\/p>\n<p><em>l\u2019atmosfera, con un brivido di menta,<\/em><br \/>\n<em>o fieno marcio, e quieta vi prelude<\/em><br \/>\n<em>con diurna malinconia, la spenta<\/em><\/p>\n<p><em>trepidazione della notte. Rude<\/em><br \/>\n<em>di clima, dolcissimo di storia, \u00e8<\/em><br \/>\n<em>tra questi muri il suolo in cui trasuda<\/em><\/p>\n<p><em>altro suolo; questo umido che<\/em><br \/>\n<em>ricorda altro umido, e risuonano<\/em><br \/>\n<em>familiari da latitudini e<\/em><\/p>\n<p><em>orizzonti dove inglesi selve coronano<\/em><br \/>\n<em>laghi spersi nel cielo, tra praterie<\/em><br \/>\n<em>verdi come fosforici biliardi o come<\/em><\/p>\n<p><em>smeraldi: &lt;&lt;And I ye Fountains\u2026&gt;&gt; &#8211; le pie<\/em><\/p>\n<p><em>invocazioni\u2026.<\/em><\/p>\n<p><em>3<\/em><\/p>\n<p><em>Uno straccetto rosso, come quello<\/em><br \/>\n<em>arrotolato al collo ai partigiani<\/em><br \/>\n<em>e, presso, l\u2019urna, sul terreno cereo,<\/em><\/p>\n<p><em>diversamente rossi, due gerani.<\/em><br \/>\n<em>L\u00ec tu stai, bandito e con dura eleganza<\/em><br \/>\n<em>non cattolica, elencato tra estranei<\/em><\/p>\n<p><em>morti: Le ceneri di Gramsci\u2026Tra speranza<\/em><br \/>\n<em>e vecchia sfiducia, ti accosto, capitato<\/em><br \/>\n<em>per caso in questa magra serra, innanzi<\/em><\/p>\n<p><em>alla tua tomba, al tuo spirito restato<\/em><br \/>\n<em>quaggi\u00f9 tra questi liberi. ( O \u00e8 qualcosa<\/em><br \/>\n<em>di diverso, forse, d pi\u00f9 estasiato<\/em><\/p>\n<p><em>e anche di pi\u00f9 umile, ebbra simbiosi<\/em><br \/>\n<em>d\u2019adolescente di sesso con morte\u2026)<\/em><br \/>\n<em>E, da questo paese in cui non ebbe posa<\/em><\/p>\n<p><em>la tua tensione, sento quale torto<\/em><br \/>\n<em>qui nella quiete delle tombe \u2013 e insieme<\/em><br \/>\n<em>quale ragione \u2013 nell\u2019inquieta sorte<\/em><\/p>\n<p><em>nostra \u2013 tu avessi stilando le supreme<\/em><br \/>\n<em>pagine nei giorni del tuo assassinio.<\/em><br \/>\n<em>Ecco qui ad attestare il seme<\/em><\/p>\n<p><em>non ancora disperso dell\u2019antico dominio,<\/em><br \/>\n<em>questi morti attaccati a un possesso<\/em><br \/>\n<em>che affonda nei secoli il suo abominio<\/em><\/p>\n<p><em>e la sua grandezza: e insieme, ossesso,<\/em><br \/>\n<em>quel vibrare d\u2019incudini, in sordina,<\/em><br \/>\n<em>soffocato e accorante \u2013 dal dimesso<\/em><\/p>\n<p><em>rione \u2013 ad attestarne la fine.<\/em><br \/>\n<em>Ed ecco qui me stesso\u2026povero, vestito<\/em><br \/>\n<em>dei panni che i poveri adocchiano in vetrine<\/em><\/p>\n<p><em>dal rozzo splendore, e che ha smarrito<\/em><br \/>\n<em>la sporcizia delle pi\u00f9 sperdute strade,<\/em><br \/>\n<em>delle panche dei tram, da cui stranito<\/em><\/p>\n<p><em>\u00e8 il mio giorno: mentre sempre pi\u00f9 rade<\/em><br \/>\n<em>ho di queste vacanze, nel tormento<\/em><br \/>\n<em>del mantenermi in vita; e se mi accade<\/em><\/p>\n<p><em>di amare il mondo non \u00e8 che per violento<\/em><br \/>\n<em>e ingenuo amore sensuale<\/em><br \/>\n<em>cos\u00ec come, confuso adolescente, un tempo<\/em><\/p>\n<p><em>l\u2019odiai, se in esso mi feriva il male<\/em><br \/>\n<em>borghese di me borghese: e ora, scisso<\/em><br \/>\n<em>con te \u2013 il mondo, oggetto non appare<\/em><\/p>\n<p><em>di rancore e quasi di mistico<\/em><br \/>\n<em>disprezzo, la parte che ne ha il potere?<\/em><br \/>\n<em>Eppure senza il tuo rigore, sussisto<\/em><\/p>\n<p><em>perch\u00e9 non scelgo. Vivo nel non volere<\/em><br \/>\n<em>del tramontato dopoguerra: amando<\/em><br \/>\n<em>il mondo che odio \u2013 nella sua miseria<\/em><\/p>\n<p><em>sprezzante e perso \u2013 per un oscuro scandalo<\/em><br \/>\n<em>della coscienza.<\/em><\/p>\n<p><i>4<\/i><\/p>\n<p><em>Lo scandalo del contraddirmi, dell\u2019essere<\/em><br \/>\n<em>Con te e contro te; con te nel cuore,<\/em><br \/>\n<em>in luce, contro te nelle buie viscere;<\/em><\/p>\n<p><em>del mio paterno stato traditore<\/em><br \/>\n<em>nel pensiero, in un\u2019ombra di azione \u2013<\/em><br \/>\n<em>mi so ad esso attaccato nel calore<\/em><\/p>\n<p><em>degli istinti, dell\u2019estetica passione,<\/em><br \/>\n<em>attratto da una vita proletaria<\/em><br \/>\n<em>a te anteriore, \u00e8 per me religione<\/em><\/p>\n<p><em>la sua allegria, non la millenaria<\/em><br \/>\n<em>sua lotta: la sua natura, non la sua<\/em><br \/>\n<em>coscienza; \u00e8 la forza originaria<\/em><\/p>\n<p><em>dell\u2019uomo, che nell\u2019atto s\u2019\u00e8 perduta,<\/em><br \/>\n<em>a darle l\u2019ebbrezza della nostalgia,<\/em><br \/>\n<em>una luce poetica; ed altro pi\u00f9<\/em><\/p>\n<p><em>io non so dirne, che non sia<\/em><br \/>\n<em>giusto ma non sincero, astratto<\/em><br \/>\n<em>amore, non accorante simpatia\u2026<\/em><\/p>\n<p><em>come i poveri povero, mi attacco<\/em><br \/>\n<em>come loro a umilianti speranze,<\/em><br \/>\n<em>come loro per vivere mi batto<\/em><\/p>\n<p><em>ogni giorno. Ma nella desolante<\/em><br \/>\n<em>mia condizione di diseredato,<\/em><br \/>\n<em>io possiedo: ed \u00e8 il pi\u00f9 esaltante<\/em><\/p>\n<p><em>dei possessi borghesi, lo stato<\/em><br \/>\n<em>pi\u00f9 assoluto. Ma come io possiedo la storia,<\/em><br \/>\n<em>essa mi possiede; ne sono illuminato:<\/em><\/p>\n<p><em>ma a che serve la luce?<\/em><\/p>\n<p><i>5<\/i><\/p>\n<p><em>Non dico l\u2019individuale, il fenomeno<\/em><br \/>\n<em>dell\u2019ardore sensuale e sentimentale\u2026.<\/em><br \/>\n<em>altri vizi esso ha, altro \u00e8 il nome<\/em><\/p>\n<p><em>e la fatalit\u00e0 del suo peccare..<\/em><br \/>\n<em>Ma in esso impastati quali comuni,<\/em><br \/>\n<em>prenatali vizi, e quale<\/em><\/p>\n<p><em>oggettivo peccato! Non sono immuni<\/em><br \/>\n<em>gli interni e esterni atti, che lo fanno<\/em><br \/>\n<em>incarnato alla vita, da nessuna<\/em><\/p>\n<p><em>delle religioni che nelle vita stanno,<\/em><br \/>\n<em>ipoteca di morte, istituite<\/em><br \/>\n<em>a ingannare la luce, a dar luce all\u2019inganno.<\/em><\/p>\n<p><em>Destinate a esser seppellite<\/em><br \/>\n<em>le sue spoglie al Verano, \u00e8 cattolica<\/em><br \/>\n<em>la sua lotta con esse: gesuitiche<\/em><\/p>\n<p><em>le manie con cui dispone il cuore;<\/em><br \/>\n<em>e ancor pi\u00f9 dentro: ha bibliche astuzie<\/em><br \/>\n<em>la sua coscienza\u2026e ironico ardore<\/em><\/p>\n<p><em>liberale\u2026. E rozza luce, tra i disgusti<\/em><br \/>\n<em>di dandy provinciale, di provinciale<\/em><br \/>\n<em>salute\u2026 Fino alle infinite minuzie<\/em><\/p>\n<p><em>in cui sfumano, nel fondo animale,<\/em><br \/>\n<em>Autorit\u00e0 e Anarchia\u2026ben protetto<\/em><br \/>\n<em>dall\u2019impura virt\u00f9 e dall\u2019ebbro peccare,<\/em><\/p>\n<p><em>difendendo una ingenuit\u00e0 di ossesso,<\/em><br \/>\n<em>e con quale coscienza !, vive l\u2019io; io,<\/em><br \/>\n<em>vivo, eludendo la vita, con nel petto<\/em><\/p>\n<p><em>il senso di una vita che sia oblio<\/em><br \/>\n<em>accorante,violento,\u2026.ah come<\/em><br \/>\n<em>capisco, muto nel fradicio brusio<\/em><\/p>\n<p><em>del vento, qui dov\u2019\u00e8 muta Roma,<\/em><br \/>\n<em>tra i cipressi stancamente sconvolti,<\/em><br \/>\n<em>presso te, l\u2019anima il cui graffito suona<\/em><\/p>\n<p><em>Shelley \u2026.Come capisco il vortice<\/em><br \/>\n<em>dei sentimenti, il capriccio ( greco<\/em><br \/>\n<em>nel cuore del patrizio, nordico<\/em><\/p>\n<p><em>villeggiante) che lo inghiott\u00ec nel cieco<\/em><br \/>\n<em>celeste del Tirreno; la carnale<\/em><br \/>\n<em>gioia dell\u2019avventura, estetica<\/em><\/p>\n<p><em>e puerile: mentre prostrata l\u2019Italia<\/em><br \/>\n<em>come dentro il ventre di un\u2019enorme<\/em><br \/>\n<em>cicala, spalanca bianchi litorali,<\/em><\/p>\n<p><em>sparsi nel Lazio di velate torme<\/em><br \/>\n<em>di pini, barocchi, di giallognole<\/em><br \/>\n<em>radure di ruchetta, dove dorme<\/em><\/p>\n<p><em>col membro gonfio tra gli stracci un sogno<\/em><br \/>\n<em>goethiano, il giovincello ciociaro\u2026.<\/em><br \/>\n<em>Nella maremma, scuri, di stupende fogne<\/em><\/p>\n<p><em>d\u2019erbasaetta in cui si stampa chiaro<\/em><br \/>\n<em>il nocciolo, pei viottoli che il buttero<\/em><br \/>\n<em>della sua giovent\u00f9 ricolma ignaro.<\/em><\/p>\n<p><em>Ciecamente fragranti nelle asciutte<\/em><br \/>\n<em>curve della Versilia, che sul mare<\/em><br \/>\n<em>aggrovigliato, cieco, i tersi stucchi,<\/em><\/p>\n<p><em>le tarsie lievi della sua pasquale<\/em><br \/>\n<em>campagna interamente umana,<\/em><br \/>\n<em>espone, incupita sul Cinquale,<\/em><\/p>\n<p><em>dipanata sotto le torride Apuane,<\/em><br \/>\n<em>i blu vitrei sul rosa\u2026Di scogli,<\/em><br \/>\n<em>frane, sconvolti, come per un panico<\/em><\/p>\n<p><em>di fragranza, nella riviera, molle,<\/em><br \/>\n<em>erta, dove il sole lotta con la brezza<\/em><br \/>\n<em>a dar suprema soavit\u00e0 agli olii<\/em><\/p>\n<p><em>del mare\u2026. E intorno ronza di lietezza<\/em><br \/>\n<em>lo sterminato strumento a percussione<\/em><br \/>\n<em>del sesso e della luce: cos\u00ec avvezza<\/em><\/p>\n<p><em>ne \u00e8 l\u2019Italia che non ne trema, come<\/em><br \/>\n<em>morta nella sua vita: gridano caldi<\/em><br \/>\n<em>da centinaia di porti il nome<\/em><\/p>\n<p><em>\u00a0del compagno i giovinetti madidi<\/em><br \/>\n<em>nel bruno della faccia, tra la gente<\/em><br \/>\n<em>rivierasca, presso orti di cardi,<\/em><\/p>\n<p><em>in luride spiaggette\u2026<\/em><\/p>\n<p><em>Mi chiederai tu, morto disadorno,<\/em><br \/>\n<em>d\u2019abbandonare questa disperata<\/em><br \/>\n<em>passione di essere nel mondo?<\/em><\/p>\n<p>6<\/p>\n<p><em>Me ne vado, ti lascio nella sera<\/em><br \/>\n<em>che, bench\u00e9 triste, cos\u00ec dolce scende<\/em><br \/>\n<em>per noi viventi, con la luce cerea<\/em><\/p>\n<p><em>che al quartiere in penombra si rapprende.<\/em><br \/>\n<em>E lo sommuove. Lo fa diventare, vuoto,<\/em><br \/>\n<em>intorno, e, pi\u00f9 lontano, lo riaccende<\/em><\/p>\n<p><em>di una vita smaniosa che del roco<\/em><br \/>\n<em>rotol\u00eco dei tram, dei gridi umani,<\/em><br \/>\n<em>dialettali, fa un concerto fioco<\/em><\/p>\n<p><em>e assoluto. E\u00a0 senti come in quei lontani<\/em><br \/>\n<em>esseri che, in vita, gridano, ridono,<\/em><br \/>\n<em>in quei loro veicoli, in quei grami<\/em><\/p>\n<p><em>caseggiati dove si consuma l\u2019infido<\/em><br \/>\n<em>ed espansivo dono dell\u2019esistenza \u2013<\/em><br \/>\n<em>quella vita non \u00e8 che un brivido,<\/em><\/p>\n<p><em>corporea, collettiva presenza;<\/em><br \/>\n<em>senti il mancare di ogni religione<\/em><br \/>\n<em>vera; non vita, ma sopravvivenza<\/em><\/p>\n<p><em>&#8211; forse pi\u00f9 lieta della vita &#8211; come<\/em><br \/>\n<em>d\u2019un popolo di animali, nel cui arcano<\/em><br \/>\n<em>orgasmo con ci sia altra passione<\/em><\/p>\n<p><em>che per l\u2019operare quotidiano:<\/em><br \/>\n<em>umile fervore cui d\u00e0 un senso di festa<\/em><br \/>\n<em>l\u2019umile corruzione. Quanto pi\u00f9 \u00e8 vano<\/em><\/p>\n<p><em>&#8211; in questo vuoto della storia, in questa<\/em><br \/>\n<em>ronzante pausa in cui la vita tace \u2013<\/em><br \/>\n<em>ogni ideale, meglio \u00e8 manifesta<\/em><\/p>\n<p><em>l<\/em><em>a stupenda, adusta sensualit\u00e0<\/em><br \/>\n<em>quasi alessandrina, che tutto minia<\/em><br \/>\n<em>e impuramente accende, quando qua<\/em><\/p>\n<p><em>nel mondo, qualcosa crolla, e si trascina<\/em><br \/>\n<em>il mondo, nella penombra, rientrando<\/em><br \/>\n<em>in vuote piazze, in scorate officine\u2026<\/em><\/p>\n<p><em>gi\u00e0 si accendono i lumi, costellando<\/em><br \/>\n<em>Via Zagaglia, Via Franklin, l\u2019intero<\/em><br \/>\n<em>Testaccio, disadorno tra il suo grande<\/em><\/p>\n<p><em>lurido monte, i lungoteveri, il nero<\/em><br \/>\n<em>fondale, oltre il fiume, che Monteverde<\/em><br \/>\n<em>ammassa o sfuma invisibile sul cielo.<\/em><\/p>\n<p><em>Diademi di lumi che si perdono,<\/em><br \/>\n<em>smaglianti, e freddi di tristezza<\/em><br \/>\n<em>quasi marina\u2026.Manca poco alla cena;<\/em><\/p>\n<p><em>brillano i rari autobus del quartiere,<\/em><br \/>\n<em>con grappoli d\u2019operai agli sportelli,<\/em><br \/>\n<em>e gruppi di militari vanno, senza fretta,<\/em><\/p>\n<p><em>verso il monte che cela in mezzo a sterri<\/em><br \/>\n<em>fradici e mucchi secchi d\u2019immondizia<\/em><br \/>\n<em>nell\u2019ombra, rintanate zoccolette<\/em><\/p>\n<p><em>che aspettano irose sopra la sporcizia<\/em><br \/>\n<em>afrodisiaca: e, non lontano, tra le casette<\/em><br \/>\n<em>abusive ai margini del monte, o in mezzo<\/em><\/p>\n<p><em>a palazzi, quasi a mondi, dei ragazzi<\/em><br \/>\n<em>leggeri come stracci giocano alla brezza<\/em><br \/>\n<em>non pi\u00f9 fredda, primaverile; ardenti<\/em><\/p>\n<p><em>di sventatezza giovanile la romanesca<\/em><br \/>\n<em>loro sera di maggio scuri adolescenti<\/em><br \/>\n<em>fischiano pei marciapiedi, nella festa<\/em><\/p>\n<p><em>vespertina; e scrosciano le saracinesche<\/em><br \/>\n<em>dei garages di schianto, gioiosamente,<\/em><br \/>\n<em>se il buio ha resa serena la sera,<\/em><\/p>\n<p><em>e in mezzo ai platani di Piazza Testaccio<\/em><br \/>\n<em>il vento che cade in tremiti di bufera,<\/em><br \/>\n<em>\u00e8 ben dolce, bench\u00e9 radendo i capellacci<\/em><\/p>\n<p><em>e i tufi del macello, vi si imbeva<\/em><br \/>\n<em>di sangue marcio, e per ogni dove<\/em><br \/>\n<em>agiti rifiuti e odore di miseria.<\/em><\/p>\n<p><em>\u00c8 un brusio la vita, e questi persi<\/em><br \/>\n<em>In essa la perdono serenamente,<\/em><br \/>\n<em>se il cuore ne hanno pieno: a godersi<\/em><\/p>\n<p><em>eccoli,\u00a0 miseri, la sera: e potente<\/em><br \/>\n<em>in essi, inermi, per essi, il mito<\/em><br \/>\n<em>rinasce\u2026. Ma io, con il cuore cosciente<\/em><\/p>\n<p><em>di chi soltanto nella storia ha vita,<\/em><br \/>\n<em>potr\u00f2 mai pi\u00f9 con pura passione operare,<\/em><br \/>\n<em>se so che la nostra storia \u00e8 finita?<\/em><\/p>\n<p>&nbsp;<\/p>\n<!-- AddThis Advanced Settings generic via filter on the_content --><!-- AddThis Share Buttons generic via filter on the_content -->","protected":false},"excerpt":{"rendered":"<p>1 How unlike May, this polluted pall of air made even murkier in the murk of a foreign cemetery plot where dazzling shards of light mark off the slobbering sky from calcified yellow fa\u00e7ades set in an immense arc hiding the blue hills of Lazio, hanging beside the curves of the Tiber. This elegiac May, &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/alteritas.net\/pastis\/translations\/gramsis-ashes\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Gramsci&#8217;s Ashes&#8221;<\/span><\/a><\/p>\n<p><!-- AddThis Advanced Settings generic via filter on get_the_excerpt --><!-- AddThis Share Buttons generic via filter on get_the_excerpt --><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":3531,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-3856","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/pages\/3856","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/comments?post=3856"}],"version-history":[{"count":10,"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/pages\/3856\/revisions"}],"predecessor-version":[{"id":4036,"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/pages\/3856\/revisions\/4036"}],"up":[{"embeddable":true,"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/pages\/3531"}],"wp:attachment":[{"href":"https:\/\/alteritas.net\/pastis\/wp-json\/wp\/v2\/media?parent=3856"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}