Follows an incomplete list of pieces I have worked on and at over the last forty years. Some of them are still playable, especially after a few days or weeks of warming up.
Allegro. M. Guiliani.
Arada, Suite castellano, Federico Moreno-Torroba.
Asturias (Leyenda), I. Albéniz.
Campo, Preludios americanos #3. Abel Carlevaro.
Canco del Lladra, Theme of a Catalan Folk Song, Op. 25. John W. Duarte.
Canta andaluz, Trans. C. Goly.
Caprice arabe, Francisco Tarrega.
Carcelero, Trad. Arr. by Juan Martin.
Choro, Roux.
Chôro No. 1, Heitor Villa-Lobos.
Corrido, Cancíón mexicana, Trad. Versión de Ramon Noble.
Canción de cuna / Ojos brujos, Leo Brouwer.
El sueño de la muñequita, Augstín Barrios Mangore
Encontro marcado, Sebastião Tapajós.
Estudios 1-3, 5, 6, 17, 20, Fernando Sor.
Études 1, 8, 11, Heitor Villa-Lobos.
Etudes simples, 1, 6, Leo Brouwer.
Evocación, José Luis Merlin.
Junto a tu corazón (Vals No. 2), Agustín Barrios Mangore.
La Llorona, Canción de Oaxaca, Trad. Versión de Ramon Noble.
Les barricades mystérieuses, François Couperin. Arr. Christopher Parkening
Nostalgia, F. Morreno-Torroba.
Primavera-vals, Agustín Barrios Mangore.
Prélude et Fugue, J. S. Bach.
Préludes 1-5, Heitor Villa-Lobos.
Preludio de Adíos, Alfonso Montes.
Preludio Tristón, Cinco Preludios, Máximo Diego Pujol.
Retrato brasileiro, Baden Powell.
Romanze für Gitarre, Nicolò Paganini. Bearbeitet von Karl Scheit.
Scherzino mexicano, Ponce.
Si ela perguntar, Dilermando Reis.
Siguënza, F. Moreno-Torroba.
Suite D-Moll, Selections, Robert de Visée.
Tarantella, J.K. Mertz
Tema triste, Baden Powell.
Thème varié et Finale, Manuel M. Ponce.
Torija (Elogia), F. Moreno-Torroba.
Tristeza em mim, Mario Taváres, Jose Guimarãee. Arr. Jack Marshall.
Un dia de noviembre, Leo Brouwer.
Valsa sem nome, Baden Powell.
Variations on a Theme by Mozart, F. Sor.
Zorongo, Trad. Arr. By Juan Martín.
***
Over the years, I benefited from tutors (Jon Harris in Berkeley, Carl Lotsberg in Edmonton, Christian Goly in Innsbruck and David Hill in Seville), but I began playing guitar as an autodidact and continue to be one.
The incessant repetition of passages and the sense of solitude I attain when playing should place me somewhere on the autism spectrum, though I taught myself early on to hide my solipsistic tendencies and be as socially functional as possible. That this itemization brings me pleasure no doubt reflects that solipsism.