Like all musicians, even a dabbler like myself, I have a special, loving relationship with pieces I’ve played.
Just a few years before Covid I stopped practicing classical guitar. For over fifty years I had played, badly I insist, without a trace of false humility. On occasion I had stopped before. But I always resumed, especially since the turn of the century, when I regularly got up in the morning to practice for an hour or two.
This time, something else was happening. I just plumb gave up, and I knew it too. Something was wrong with my fingers. I sought out videos of aging performers, Segovia at 75, and tortured myself with remarks by legendary septuagenarians who kept at it. Then, three years ago, I found out that I suffer from Parkinson’s. I can barely button a shirt now.
I suspect I was less of a musician and more of an attention addict. As I wrote,
The incessant repetition of passages and the sense of solitude I attain when playing should place me somewhere on the autism spectrum, though I taught myself early on to hide my solipsistic tendencies and be as socially functional as possible. From A Repertoire of Sorts.
There are no presentable recordings of my work but here are links to some of those pieces I played, played by others. Those who find them appealing will have shared with me something of the many, many hours spent communing with them.
Here is the first one. Others will follow.
Tarantella, from Bardenklange (1847), Johann Kaspar Mertz. Played by Haruka Lee. https://youtu.be/1A5mWs_319k?si=mn6t49D1Nk4FyiLP
Score video by Patel Kuktha . https://youtu.be/23m5FhA3EXc Dad sent me the sheet music to Liberia, where I was living and teaching 1967-1969.
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Reprised here from Guitar Notes, which imcludes:
My Library of Guitar Sheet Music
A Repertoire, of Sorts
Mickey Mouse Music
In Search of Bossa Nova
Flamenco Heaven
The Anticipatory Wake of Fiesta

