Following up on the BLM moment, I read in and around the topic, starting with Jeffery Stewart’s The New Negro: The Life of Alain Locke, Paul Beatty’s Hokum: An Anthology of African-American Humor and his novel The Sellout.
Likewise, Black US literature is US literature and has followed a course roughly analogous to “mainstream” US literature. From the 20th century on entire literary culture has evolved from aspiring modernism to a state of facile identitarian subjectivism..
George Schuyler’s 1929 Racial Inter-Marriage in the United States, called for solving the US race problem through interracial marriage, then known by the odious term of “miscegenation”, which was illegal in many states until a 1967 SCOTUS decision
In The Walls of Jericho, the first novel by Rudolph Fisher, the lawyer Ralph Merritt buys a house in a white neighborhood bordering Harlem. In their reactions to Merritt and to one another, Fisher’s characters—including the prejudiced Miss Cramp, who “takes on causes the way sticky tape picks up lint.”
In 1929, Schuyler’s pamphlet Racial Inter-Marriage in the United States called for solving the country’s race problem through miscegenation, which was then illegal in most states.
He also published the highly controversial book Slaves Today: A Story of Liberia, a novel about the slave trade created by former American slaves who settled Liberia in the 1820s.
In early 2020, The New Group (https://en.m.wikipedia.org/wiki/The_New_Group)
announced it was developing a musical adaptation of Black No More directed by Scott Elliott with a book by John Ridley and choreography by Bill T. Jones. Rapper Black Thought is contributing music and lyrics and will appear in the production, originally scheduled to premiere in October 2020.
John McWhorter’s old piece on reparations: https://newrepublic.com/article/90734/against-reparations