The Best Part of a Fish — for Nasrin

When you feel like a fish, check the weather to see
whether it’s better to bake indoors or grill out.
Small ones can be poached. Small fry can be fried whole.
Any place you buy fish should smell fresh, no trace of bleach

or antiseptic, instead should exude the very attar
of the sea, shore, river or shoal which was their home.
Eschew asphyxiated fish, those with glaucous eyes
and limp flesh. Buy them scaled, gutted, extracted from crushed ice.
Once you have your catch, wash, pat dry. Salt and pepper
the cavity, stuff with smashed garlic and aromatics,
relying on your own counsel and taste — I have a weakness

for basil and thyme and have taken to sumac, the dark
vermilion grains ground from the berries of the tropical
shrub related to mango and cashew; not the southern
US bush with its toxic resin, the poison of the same name.
Sumac, rhus coriaria to be precise, is harmless,
though far from innocuous. Its pungence lays out
a canvas on which aerian savours, here those of fish,
can be feathered or brushed in. In this case what was aquatic
transforms into a wingèd essence which, like a kite, flies
best in a steady wind tethered to the tang of the earth.
If, at this stage, you need lemon, maybe this was not
the right fish. Many like citrus to veil such miasma. 

On this point, accomodate your guests. Quarter a couple
with your sharpest knife once the sumptuous  fish,
after fifteen minutes in an intensely hot milieu
(flesh at the thickest point showing 145 F)
is deposited with a flourish on a trivet centerpiece —
but only after a short rest, so its juices can seize.
Slide off portions from the top half with a spatula,
ostentatiously detach the bone structure from the tail,
then dangle the head before the gathered assembly,
whose eyes should still look out intact, alert to their fate.
This is when you learn who likes fish, as opposed to
pescatarians from principle. The former will put dibs 
on the eyes and those delectable morsels behind  the cheeks.
The latter will avert their eyes, praising their choice filet. 

***
Nasrin, whose home cuisine is Caspian, will get the joke about fish-head eaters, the slur desert plateau Iranians apply to the denizens of her home province of Gilan. I have surprised myself here with a second in a new  sequence of poems, Collations and other Delights. I had given up on writing poetry about food. To do so, I have reverted to  but embraced with gusto modes of poetry long fallen from fashion, the encyclopedic, the ekphrastic and the comic. One feature shared by poetry and cuisine is delight. Only the highest of haute cuisine plays with comedy in food. The same might be said of poetry.

Warm Cranberry Bean Salad

These marbled pinkish beans are beautiful to look at raw
and not that tedious to hull. Once free of their pods,
they need a parboil. As usual when boiling any liquids
except those to be sweetened, throw in garlic cloves
with sprigs of your favourite herbs. Mine for the moment:
Thai basil (the one with the purple stems which explode
into packets of flower), bay leaf, thyme and tarragon.
Let all that linger in the pot to the tenderness you want,
most importantly the beans, keeping an eye on the garlic.
Cool them to a state of warmth, serve the beans on a bed
of greens dressed with pepper, salt, oil, vinegar, a dab
or two of mustard. Retrieve any garlic you put in the boil,
pulp it and serve it as one condiment among others.
Shelling beans fit naturally into a festive mezze lunch,
accompanied by a slightly chilled low-alcohol red.
If you have luck enough to have rosé in the fridge,
put it on the table and invite your guests to blend
their own ideal red-rosé to go with the beans.

***
When recipes are well-written, they are well-written prose. Richard Olney remains for me the master of the genre, though I do appreciate Elizabeth David’s mode, as well as others too numerous to mention here. Yet I have always mused about how a recipe might read in poetry. Below, in Warm Cranberry Bean Salad, as in any recipe, much goes unspoken, the actual real-world operations which produce something to eat. These are founded on the senses, perception of them and, when the right moment comes, esthetic judgment. Even the most humdrum cookbook instructions, including the videos proliferating on the web, only hint at what happens as we cook. Poetry too is an art of leaving as much as possible unsaid, and about the right moment to leave off.