Catalunya on my Mind

Thinking often these days of Catalunya, I recalled my translation of a poem by Gabriel Ferrater, brother of my Doktorvater Juan, who spelled his own last name Ferrate. Gabriel commited suicide in the 70s, at the height of his fame as one of his generation’s best poets in Catalan.

As we lay enlaced before
a window which gave to a grove
of olives (two bare seeds
within a fruit summer burst open,
infused with heat), we had no
memories. We were the memory
we now have. We were icons
of ourselves to be revered
by true believers of afterwards.

After Gabriel Ferrater

Aleshores, quan jèiem
abraçats davant la finestra
oberta al pendís d’oliveres (dues
llavors nues dins un fruit que l’estiu
ha badat violent, i que s’omple
d’aire) no teníem records. Érem
el record que tenim ara. Érem
aquesta imatge. Els ídols de nosaltres,
per la submisa fe de després.

For a thumbnail potrait of Juan Ferrate, see my Edmonton is Fun After All.

Sad to be a Child

Hot off the presses, this poem which appears in California Quarterly, Vol 43, Number 3 (2017), p. 45.

You can order a copy at www.CaliforniaStatePoetrySociety.org

*

Sad to be a child.
However hard one watches,
branches never grasp the clouds,

stuff which drifts like moods
and slips between the crotches.
Sad to be a child

whose play becomes to brood
within a brushwood fortress
where branches never grasp the clouds,

whims are driven as if scuds
and wishes come in snatches.
Sad to be a child

in a copse where dream eludes
the anxious reach that clutches.
Branches never grasp the clouds

just encompass solitude
until someone approaches.
Sad to be a child.
Branches never grasp the clouds.

*

Notionally a French poetic form, the villanelle has been thoroughly nativized into English. Dylan Thomas’s “Do Not Go Gentle into that Good Night”, Theodore Roethke’s “The Waking” and Elizabeth Bishop’s “One Art” are among the best known and loved.